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Rabba Main Kya Karoon (English: God, what do I do) is 2013 Hindi romantic comedy film directed by Amrit Sagar Chopra and made by Moti Sagar. The film features[1] Akash Sagar Chopra, Arshad Warsi, Paresh Rawal, Tahira Kochhar and Riya fractional monetary unit as main characters.

Rabba Main Kya Karoon [3] revolves around 2 brothers Shrawan (Arshad Warsi) and his younger brother Sahil (Akash Chopra) UN agency is obtaining married lavishly during a typical Indian vogue in Old Delhi.

Sahil is raring to marry his childhood sweetheart Sneha (Tahira Kochhar), till older brother Shrawan joins the celebration, encouraging Sahil to try to to what men handle cheating on his married woman. Shrawan is barely teaching Sahil what he learnt from their uncles (Paresh Rawal, Tinnu Anand and Sakti Kapoor), whose mantra for a no-hit married life is “In order to measure a cheerful married life, one should wander his wife!”

If a director gets the task of introducing a young couple during a Hindi film UN agency in all probability could be the silent producers of the project too, then the best (and a readymade) plot to be tailored currently a days has got to be a romantic comedy created around an enormous Punjabi wedding settled in Old Delhi. therefore following an equivalent formula, RABBA MAIN KYA KAROON could be a lightweight comic, family drama revolving round the wedding of debutants Akash Chopra and Tahira, conjointly that includes Arshad Warsi and Paresh Rawal in key roles to create it a serious frontline project within the market.

Focusing on a young boy being trained altogether the incorrect things before his love wedding (by the elder brother Arshad), RMKK has nothing substantial or exciting as so much because the plot or content worries. Its recent forged takes care of the youth think about the film and also the comedy half is appointed to the 3 uncles (Maamas) specifically, Paresh Rawal, Tinnu Anand and Sakti Kapoor, UN agency happen to be sex maniacs cheating their own several wives since a few years. The film perpetually talks a few mantra followed by these four fully grown up men religiously (including Arshad) i.e. “To have a cheerful married life, one should cheat his wife”. The writers attempt to entertain the viewer with sequences supported these hidden betrayals solely. then as was common it all ends on a positive social note whereby the four settle for their silly mistakes created and also the young boy has his priorities pretty clear for the new life ahead.

Presented as fun riot written with a questionable theme, RMKK does not have a lot of to create you smile or provides a experience within the theater. The execution goes over the highest in few scenes and also the rest continue talking regarding an equivalent things during a monotonous means. The film has additional of Arshad and fewer of Paresh which could scotch several friends solely curious about observation them along. The Punjabi wedding celebrations offer you an equivalent, seen before form of a sense and also the characters don’t win over you a lot of with their routine quite acts delivered uninterestingly. furthermore the film incorporates a script that powerfully tries to project all men as born dogs, continuously hungry for sex and every one girls because the dumb, straightforward to fool companions UN agency uneducated person regarding their husbands in the slightest degree. and that i did notice this sort of projection quite objectionable, crossing the boundaries of decency in its several sequences.

The audio recording has one catchy song with some weird lyrics spoken communication, “Tu Khulla Saand Ban Ja” that simply shows the desperation to induce detected in its obscene words. The background score and camera-work is strictly OK and also the project additional or less becomes supportable solely because of the few identified names in it, brilliantly showcasing their verified talent within the given scenes at regular intervals.

So we’ve Arshad Warsi together with his noted comic temporal order and Paresh Rawal UN agency will cause you to laugh even once he’s not smiling or rendering any screaming lines in his few scenes. The debutants Akash and Tahira perform satisfactorily and their acts were far more than what i used to be expecting. Sakti Kapoor tries too arduous and Tinnu Anandis simply OK. Enacting their wives, Riya Sen, Himani Shivpuri and Anuradha Patel play it fine however rule Babbar remains an equivalent as seen in several previous films.

In all, affirmative a romance has continuously been the safest bet to introduce a brand new young couple during a Hindi film since ages. however currently its very time, that the young ones set up one thing novel, unconventional and experimental as their initial flick to showcase their talent. The gamble has sure got additional chances to travel wrong however still its higher to induce introduced during a film that has one thing unaccustomed supply and isn’t simply another routine, recent wine during a new bottle quite stuff impressed from several previous hits.

Sadly, RABBA MAIN KYA KAROON falls within the class of the on top of mentioned mediocre comes solely that attempt to en-cash the few massive names in their star-cast simply vainly. it is a quite film that you may feel OK observation on a DVD or a channel, however shopping for a expensive multiplex price ticket for it, outlay your precious time & effort, merely has to be avoided.

Rabba Main Kya Karoon’ could be a Likable Rom-Com, that surprises its viewer. Its funny & amusive at the most elements, though monotony is its biggest street drug.

‘Rabba Main Kya Karoon’ Synopsis: a number of days before his wedding, a bachelor gets influenced by his older brother to try to to all the incorrect things.

‘Rabba Main Kya Karoon’ begins well & the comedic moments work nicely. Its the second-hour that disheartens. The sequences get repetitive & even the humor appears forced. In short, a much better second-hour was required. The script has deserves, however lacks innovation within the second-hour. Amrit Sagar Chopra’s Direction is good. photography is okay. writing is cooked.

Performance-Wise: Arshad Warsi is top-notch. His impeccable comic-timing & certainty create him the role player here. Akash Chopra is alright. Tahira Kocchar has the potential to become a fine performing artist. Riya fractional monetary unit is adequate. Paresh Rawal, Tinnu Anand, Rakesh Bedi & Sakti Kapoor contribute splendidly. rule Babbar is nice. Himani Shivpuri is as was common.

RMKK could be a fun ride. The flick is pleasurable and conjointly incorporates a sensible message in it. the idea that “all” men wander their wives is curiously explored through the slimed characters compete by Paresh Rawal, UN agency proves his married woman, the ever-brilliant Sushmita Mukherjee, clinically distracted to induce away together with his womanizing, Sakti Kapoor, UN agency euphemistically describes fornicating as smoking, and Arshad, UN agency fools his gullible married woman Riya fractional monetary unit into basic cognitive process he’s trustworthy to her.

The narrative remains trustworthy to the theme of unfaithful husbands. There area unit cheerful moments within the first-half wherever the writing outdoes the upcoming mood of sluggishness that creeps up within the second-half.

With a forged that appears to possess a blast, Akash makes a cushty and assured debut. Arshad Warsi’s delinquent ‘Bade Bhaiyya’ act and his substance on secretion freedom area unit the film’s USP.

Arshad doles out brotherlike recommendation like spiritual leader knowledge, even transfer during a regard to ‘Bhagwan Rama’ that may have the director’s grandpa, the tele-serial Ramayan maker Ramanand Sagar blush.

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